JB: Are there any specific themes, causes, ideas that you try to express in your work? Any causes that are especially important to you?
CG: See above.
JB: Are there any interesting stories about your creation process or your art that readers might be interested in?
CG: Not really, no. Hopefully there will be someday. I'll let you know. . . or I'll make some up.
JB: Also....how were you trained as an artist?
CG: “I wasn't trained in sculpture. I love saying that! The truth is I went to school for computer animation, and never had any traditional art classes save for a random life drawing class, and a design class near the end of my community college stint. I've never taken any sculpture classes or casting classes, and the only instruction I ever got in the process was from my father when I was around six years old. He cast the faces of my brother and I when were real young. A few years ago, I just started making casts on my own. Now that I've started school, I'm excited about learning other techniques and about other materials to help me expand on the work I do.”
JB: Have you worked on any large projects?
CG: “The Angel” was the largest project I've ever worked on. It's still not “done.” Another large one was “The Valentine”
JB: What path have you followed until now?
CG: “I've just been trying to be creative and encourage others to do the same. I've got a lot of talented friends, but I've seen some of them give up on what they're great at either to pursue careers that they see as “secure or stable,” or because they feel they just don't have time for it anymore. I think that's really sad. I don't even know if that really answers the question.”
